December 31,Humboldt, Nebraska murdered I knew who she was. She said she had to get her head back together.
The Brandon Teena Story: The incident began at a gathering in Richardson County, Nebraska After Brandon refused Lotter's advances, Lotter grabbed Brandon's hands while Nissen pulled her pants and underwear to the floor.
Later, the two men cornered Brandon in the bathroom and Lotter held the door closed while Nissen hit Brandon in the head, kicked her in the ribs, and stepped on her.
The men then dragged Brandon out to their car and drove to a remote location where they each raped her. After the rape, Nissen again brutally beat Brandon and threatened her not to tell anyone about the incident. The following day, Brandon went to the authorities and was interviewed by Deputy Olberding and Charles Laux, the then-duly elected sheriff of Richardson County.
Brandon gave a three-page written statement detailing the rape and assault. Laux asked Brandon crude questions about the incident, telling Brandon that they were necessary in order to present the case to the County Attorney.
Laux also questioned Brandon why she dressed "like a male" and why she socialized with females instead of males. Brandon cancelled two follow-up appointments with Laux because she feared his abusive treatment. On December 31,Lotter and Nissen broke into the home of Lisa Lambert where Brandon was staying and fatally shot and stabbed Brandon and two others who were present in the home.
The plaintiff asserts that the conspiracy to kill Brandon was simply an extension of the conspiracy to rape Brandon because she was a female who dressed like a male. Brandon's murder—by close range shots to the head followed with numerous stab wounds—amounted to an execution.
I hope to use the powerful vision of Boys Don't Cry to spark a broader conversation about gender identity, sexuality, and violence against women. Brandon Teena's story—especially its representation in American popular culture—raises several important questions for feminist and queer theory and praxis.
First, how does this case challenge us to re-conceptualize violence against women? Do sex crimes play out differently—i. If so, does transgender violence call for new strategies of feminist intervention?
Does the case of Brandon Teena necessitate a new emphasis on the body within feminist politics, or a reassessment of the social meanings ascribed to female bodies?
Brandon Teena's story troubles conventional feminist understandings of the body, sexual difference, and violence against women. Especially, it points to a need for intersectional political alliances between feminist, queer, and transgender communities.
Such alliances would foster nuanced approaches toward violence against women that might more effectively promote legislative change. Yet it also locates the female body as the site of particularly brutal inscriptions of power, 'truth,' and difference. Identity, invisibility, and violence: The prosecution argued that Brandon's murder was the culmination of a conspiracy to rape him, and that both crimes were motivated by "hatred for a female who dressed like a male.
In SeptemberJudge Richard Kopf disagreed with the prosecution. According to Judge Kopf, Laux had no reason to believe that Brandon's rape was motivated by disdain for a female-to-male FTM transgender individual, or that such hatred—even if documented—could lead to murder.
Four years later, on April 20,the Nebraska Supreme Court overruled the lower court's decision. Chief Justice John Hendry held that "based upon the undisputed facts in this case, we determine that Laux's conduct was extreme and outrageous, beyond all possible bounds of decency, and is to be regarded as atrocious and utterly intolerable in a civilized community.
The film presents Brandon Teena's murder as intelligible only as part of a continuum of sexual violence that begins with dehumanizing hate speech and finds its logical conclusion in murder. In order to think about sexual violence as a continuum, I will first explore discourses of sex, truth, transgression, and transgender identity.
Sex, truth and transgression By and large, media coverage of Brandon Teena's murder portrays it as the inevitable consequence of sexual deviance and deceit. Newspaper headlines routinely address Brandon Teena's ambiguous gender identity as the true 'cause' of his murder.
When asked why he didn't arrest the two suspects after Brandon's rape accusation, Laux stated that he did not trust Brandon because she had lied about her gender.
Journalist Eric Konigsberg asserts journalistic authority over Brandon Teena by evoking the 'truth' of her dead body in the opening sentence of his article. In his assessment, "Teena Renee Brandon's mystery was over the moment her body was discovered, facedown on a bed in a farmhouse in Humboldt, Nebraska.
He uses judgment-laden terms to evoke the "double life of Teena Brandon: Teena didn't seem to have trouble finding new people to con, new women to woo. As Judith Butler notes, The cultural matrix through which gender identity has become intelligible requires that certain kinds of "identities" cannot exist—that is, those in which gender does not follow from sex and those in which practices of desire do not "follow" from either sex or gender.
When medical practitioners assign a gender to intersexed infants, for example, their decisions ensure that the gender expressions of such children will conform to the 'truths' of their genitalia. Similarly, sex education that construes the female body as rapeable helps to construct 'true' masculinity as aggressively sexual, and to ensure that 'good' girls will conform to the passive sexual practices associated with 'true' femininity.
The net effect of these regulatory discourses is to prohibit and punish any gender identifications that upset the sexual status quo. Transgendered identity is especially perceived as a threat to binary sexual difference. Many theorists regard transgenderism as a challenge to the purported truths of sexual identity.timberdesignmag.com is the place to go to get the answers you need and to ask the questions you want.
Boys Don't Cry is a fictionalized account of a tragic series of events that took place in rural Nebraska in December Teena Brandon, a young woman of 20, moved to Falls City (a farming. The real Brandon Teena, Teena Brandon at CTF. REAL face behind Boys Don't Cry starring Hilary Swank.
See pics of the real Teena Brandon and Lana Tisdel, find out just how real Boys Don't Cry is. An Essay on the Nature of Scrofula - With Evidence of Its Origin from Disorder of the X Employment Deconcentration in European Metropolitan Areas - Market Forces versus Planning Regulations, Eran Razin Cry, the Beloved Country - A Story of Comfort in.
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